Recently, I watched the whole first season of the Golden Globe Winning TV series Drama, “Homeland” and was both impressed and also disappointed. The cable series which originally premiered in October 2011 on the Showtime channel is based on an Israeli TV series called “Prisoners of War,” But “Homeland” is about an American Marine Nicholas Brody (played by British Actor Damian Lewis from “Band of Brothers”) who is captured in Iraq and his held captive for 8 years, only to be found by a Delta Force raid on a compound belonging to an Al Qaida terrorist (a character named “Abu Nazir” – played by Iranian-American Actor Navid Neghaban). The main protagonist of the show is CIA agent, Carrie Matheson (played by Claire Danes), who is the only person who thinks Brody is a turned sleeper agent for Al Qaida.

“Homeland” is a lot like “24”, with its moments of intense drama dealing with terrorism, politics and relationships between people. The show also has excellent writing and great acting. Because it’s on Showtime, it does contain profanity and adult language as well as some brief nudity – which makes the show much more realistic than “24”.

I was really impressed with the acting of Claire Danes (who won for best actress in a Drama at this year’s Golden Globe awards) and Damian Lewis (Nominated for Best Actor at the Golden Globes). Claire is very convincing as a paranoid CIA operations officer, who although suffers from Bi-polar disorder (unknown to her supervisors), is the only person who is capable of figuring out what Brody is actually up to. She tries very hard to convince her mentor and boss at the CIA, Saul Berenson (played by Actor Mandy Patinkin) that Sgt. Brody is a sleeper agent who is about to carry out an attack on the U.S. Damian Lewis is excellent as his role as an American Hero turned Potential Terrorist who struggles coming to terms with his wife sleeping with his best friend (who both thought he was dead in Iraq), his two young children who barely know him, and the media and government officials who put him on a pedestal as a “War Hero.”

WARNING SPOILERS BELOW

Damian also did a great job at learning Arabic – specifically Sura Fatiha, for when he recites his prayers early in the morning and late at night (He converted to Islam while held captive for 8 years – and “there were no Bibles around” like he explained to Claire’s character when she questioned him about his conversion).

What I liked about the series is that they try their best to show that Terrorism is not as Black and White as most politicians and leaders (on both sides of the world) try to make it out to be. It’s complicated and involves all kinds of people – from religious, to secular, to family people, to lovers, to government officials, to normal and sane people, who may have been pushed over the edge and sometimes the motive is not politics, but just simple revenge.

In this case, Damian’s character of Sgt. Brody is forced to teach English to Terrorist leader Abu Nazir’s youngest son, while he is held in captivity. Brody has a young son who was only a few months old, when he went off to Iraq for the War, so naturally a bond develops between Brody and Abu Nazir’s son, as they spend a lot of time together. Then, like what has happened in real life many times, a US drone attack, which attempts to take out Abu Nazir’s hideout, misses and destroys a madrassa, and kills all 83 children, including Abu Nazir’s son. Sgt Brody is hurt emotionally by the death of an innocent child he has grown to love as his own, and becomes consumed with anger when the Vice-President of the United States is shown on international TV denying that the drone attack even happened. This is when Brody decides that he wants to help Abu Nazir mete out justice to the United States government for killing innocent children.

What I don’t like about the show, and was disappointed in seeing, was that whenever Sgt. Brody makes wudu (cleaning himself with water before doing prayers), pulls out his prayer rug, or reads Tasbeeh (rosary) on his hands – they play dramatic music in the background and imply that he is doing something sinister and about to kill someone (when in reality he is just praying or getting ready to pray to God). It seems like the writers and producers of “Homeland” are implying that a Muslim who prays is a potential terrorist!

I also found it interesting that the character of Saul Berenson (Carrie’s boss at the CIA) is Jewish (who even talks about growing up as a religious minority in a Christian majority town in the storyline), who is shown to be the most fair-minded, intelligent and respectable person in the CIA. This is not that surprising, because it seems that most of the writers and producers of the show are Jewish, but one would think that they should know better than to scapegoat a whole group of people (Muslims) because of the actions of a few.

I look forward to watching season 2 of “Homeland” (currently being produced), because I enjoy it’s suspense, action and acting, but I hope the writers and producers start to focus less on the “exotic” religious rituals of Muslims, and instead continue to develop the storyline in exposing why people become terrorists and how it can be better understood and in turn better combated.

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Originally Posted on ILLUME magazine.

Un-Aired Lowe\'s Commercial for \"All-American Muslim\"

Everyone has been talking about the controversy surrounding Lowe’s Hardware stores pulling their advertising from TLC’s “All American Muslim” reality TV show, because of the email campaign from Conservative Christian “Florida Family Association.”

But besides the few email complaints to Lowe’s or signing of petitions online, there hasn’t been much creative response from the Muslim-American community.

That’s when the comedic duo, Rizwan Manji and Parvesh Cheena (of “Outsourced”), along with writer/director Gregoy Bonsignore decided to take matters in their own hands and create the fake ad, “The Un-Aired Lowe’s Commercial.”

We got to talk to the three about why they made the video and what they thought of the controversy about the show.

Why did you guys produce this video?

Rizwan: Myself, Greg and Parvesh were sitting around Parvesh’s place talking about this whole Lowe’s situation and I kept seeing all the reaction all over Facebook and Twitter. So we thought, as artists we can use our creativity, to make a funny video which makes a point about a greater issue. So within an hour of coming up with the idea, we went down to Lowe’s and started filming it!

Gregory (Director of the video): We wanted to do a satirical piece to show the type of “stereotypical scary” Muslims which the Florida Family Association are so concerned are not being shown on the TV program. The video was shot on multiple iphones, in case we got kicked out of the store quickly.

Have you guys watched “All American Muslim” and what do you think about it?

Rizwan: Yes, I have seen it and like it. It’s a typical reality show which shows the daily lives of people and I have been to Michigan before to shoot a film. It’s an accurate portrayal of the people there, who are very friendly and I enjoy the show.

Gregory: I have watched it and although its format is not very unique, it’s subject – Muslim-Americans is what makes it interesting. It shows that Muslims now have their own reality show like other groups about suburban life in America.

Parvesh: ALL-AMERICAN MUSLIM seems harmless. Please. Everyone is the same. We are all Americans. Sheesh.

What do you guys think of the reaction from groups such as the Florida Family Association and Corporations such as Lowe’s who have pulled their advertising from “All American Muslim”?

Gregory: I’m not really surprised with the reactions and totally bigoted response from some of the public, because there is not enough education about Islam in America. But for a corporation like Lowe’s to react in the way they did, is totally unacceptable.

Rizwan: The biggest shock for me was that Lowe’s sent a letter to the Florida Family Association thanking them for pointing out the concerns of the show and asking them to pull their advertising. It’s not okay that they caved in this way.

Parvesh: Lowe’s pulling their spots is silly and just so dumb and really foolish for a major company. I liked Lowe’s. I used to love their ads that added the letter T to the end which became Lowe’sT. Ha. Bad Lowe’s. They should apologize!

Do you think there is any correlation with how “Outsourced” was cancelled and the reaction that “All American Muslim” is getting, that the American public is not ready to see different ethnic and religious groups on TV?

Rizwan: There was also a loud and vocal minority who expressed some hatred about Indians and having a show like “Outsourced” on mainstream TV. There were also some facebook hate groups and websites which made threats against us, but I don’t want to be pessimistic about it. It was only a small, yet vocal, minority. We did not get any advertisers pulling ads from “Outsourced” and there was a good amount of viewers, but we just ran out of time to increase our viewership.

Parvesh: OUTSOURCED getting pulled doesn’t really have any racial correlation, In my opinion. We just got bad ratings when they moved us to 10:30pm for a show that became popular with families. Bad scheduling killed the show but we gotta move on.

Gregory: As a writer and director myself (Greg was a writer for the show “Lie to Me”), I feel that TV tends to normalize things. From past shows which had African-Americans and women early on, it helps the viewers to get to know these different types of people which they may not normally get to interact with. I believe it’s important for more shows about Indians, Arab-Americans and Muslims to be on mainstream TV. We are currently working on a TV pilot about a Muslim American family which we are pitching to producers and hoping to get into development soon.

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This review was originally written on Caffeinated Muslim.

Review by Bushra Burney

The last time I was at the airport, I went through security and was told that a female agent was going to come by and pat down my hijab. Passenger after passenger passed me by, picked up their stuff from the conveyer belt, and stared at me. I’m sure they were wondering what was up as I stood there for an amazingly long period of time in my socks. I never had to wait this long for a patdown before! Where was the TSA lady who was meant to make sure I left my serrated knife at home and that it wasn’t hidden in between the strands of my hair? Not allowed to move or even get to my luggage for a long period of time, I felt like I was on display and felt humiliated.

However, I’d much rather have that happen than go through any of the experiences contained in the book Patriot Acts: Narratives of Post-9/11 Injustice.

Edited by Alia Malek, who also interviewed most of the people in the book, Patriot Acts compiles first hand stories from people who had been maligned to some degree due to the after effects of 9/11. The compilation has all types of stories, some worse than others, that include accounts of incarceration, bullying, harassment, and discrimination.

The first narrative sets the tone of the book rather quickly with the testimony of Adama Bah, a now 23 year-old girl who grew up in the U.S. after moving from Guinea, West Africa with her family when she was just two years old. In 2005, when she was 16, she was taken from her home along with her father and was kept in a detention center for 6 weeks for suspicion for being a terrorist. The problem was that the suspicion stemmed from nothing and she had to endure less than stellar conditions in the center, complete with strip searches, for no reason in particular. The entire episode left her jaded about the country she considered her home.

Not all of the narratives end on the same note though. Rana Sodhi, a Sikh business owner, went through the pain of losing two brothers who were murdered in hate crimes after 9/11. With all of the work and outreach he did in regards to the murders, he became inspired to think of his community at large rather than just himself.

There are probably more than a few people who get caught up in the “Kill ‘em all!” mentality when they think about Arabs and Muslims. The issue is that a lot of people have suffered because of misplaced blame (and I’m just talking about those who consider America their home, not the hundreds of thousands* of innocents killed abroad in wars from the past decade). The majority of us don’t know about these stories and that’s where Patriot Acts steps in. With some of the accounts, you can’t help but wonder what would have happened if the narrator wasn’t able to acquire a lawyer who cut through red tape. With some of the other narratives, it’s quite evident that education is still needed in this country to curb Islamophobia, especially with the heartbreaking story of the little girl that had to deal with ignorant teachers in her district**.

At the very least, you should check out Patriot Acts: Narratives of Post-9/11 Injustice to discover what has been going on in this country and whether or not any of this actually makes you safer. This book teaches us that it’s more important than ever to stay informed and educate ourselves. We can still be American patriots while still retaining our principles.

Patriot Acts: Narratives of Post-9/11 Injustice was published in August 2011 by McSweeney’s as part of the Voice of Witness series.

*Some sources place this figure at well over a million.

**There was actually a story on the radio show This American Life in their radio broadcast titled Shouting Across the Divide back in 2006. You can listen to it for free on the website.

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The Taqwacores – Film Review

by Bushra on March 22, 2011

“Is everyone here Muslim?” Yusef asks.

“From a certain point of view,” Umar replies.

So begins the movie The Taqwacores. A sophomore in college in Buffalo, New York, Yusef moves out of the dorms to live with Muslim roommates. His search for a new place to stay leads him to this one particular house where Umar, a burly guy with tattoos of “X”s on his hands, answers the door. Eventually, Yusef meets the rest of the rather diverse group of Muslims he now lives with – red-mohawked Jehangir, fully burqa’d Rabeya (you can’t even see her eyes), the seemingly always shirtless Ayyub, and Fasiq, a stoner. Yusef realizes rather quickly that his way of life is much different than that of his new housemates as they have all reconciled their practice of Islam with their punk way of life. As a result, Yusef ends up broadening his own definition of religion which at times, has him questioning his own practices.

The Taqwacores is based on the 2003 novel of the same name by Michael Muhammand Knight. “Taqwacore” is the name given by Knight to reflect the Muslim punk rock scene. I’m going to go ahead and admit it – I’m not into punk. I don’t know anything about it and when I’ve tried to listen to it, I quickly come to the conclusion that it’s not my thing. Also, unlike most of the characters in this movie, I don’t drink, smoke, do drugs (coffee is NOT a drug!), have tattoos, or curse.

But I like good movies. And The Taqwacores? Good movie.

The movie is unexpectedly funny at times, awkward at others (intentionally I believe) and has some great dialogue and acting. As Yusef, Bobby Naderi plays the out-of-his-element Muslim well while Dominic Rains stole the show as Jehangir. While I did feel that a couple of scenes were controversial for controversy-sake, this movie is important for one simple reason – The Taqwacores is going to inspire conversations. What does it mean to be Muslim (or if you’re not Muslim, religious)? Can you really ever have the right to judge someone else because maybe their lifestyle doesn’t conform to what you know? And also, if you are the subject of being judged does that give you the right to do the same to others?

Case in point – As Jehangir organized a Taqwacores concert, he invited a band whose viewpoints differed from those of his and most of his housemates. He explained to Yusef that he still felt the need to invite them because if were to exclude this group, how would that make him different from all of those other people who exclude him for who he is?

Major caveat – this movie is not for everyone. The Taqwacores can be (more than) a bit crude and ever so slightly blasphemous. Ultimately, I’m glad I watched the film though. If a movie sparks an intense debate with a friend after you watch it, then you know you have come upon something that made you think. That’s never a bad thing.

The Taqwacores is directed by Eyad Zahra and stars Bobby Naderi, Dominic Rains, and Noureen DeWulf and will be out on DVD on April 5th.

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Note: I did the following interview for Illume Magazine. It’ll be posted there on Sunday.

I recently interviewed writer/director Qasim “Q” Basir about his movie Mooz-lum, a film about a Muslim-American trying to come to terms with himself and his faith. Mooz-lum has had a limited release in the United States has recieved generally positive reviews.

First of all, congratulations on the movie. Were you expecting the positive response that the movie has been receiving?

I didn’t really know what to expect. Honestly, I [didn't have] too many expectations because things are going to happen like they are supposed to so I really didn’t know what to expect. I hoped to have a positive reaction.

I noticed that everyone in the theater with me were really into the movie. Hopefully it will do well!

Yeah, I hope so. We’re really trying to see at this point if it it’s going to crossover into different audiences. That’s what we’re hoping. We made the film for two particular reasons. One was to create a voice, a more accurate voice for Muslims in America and another was to create some enlightenment for people who do not know much the story. I always hope that it crosses over.

Have you tried to market to an international audience? What kind of response are you hoping to get from them? Do you think they can relate to Mooz-lum like Western Muslims have?

Based on what we’ve seen, they might relate to it in a different way. They definitely relate to it on a very human level. We were at a film festival in Egypt and I did just come back from Toronto and we had a great response. There were certain parts of the film where people reacted to here that they did not react to over there. In general, people are really able to relate the humanity of the movie. It’s more so about the relationships, the times of happiness and sadness that people are able to connect to.

Has making this movie changed you at all?

Yes, it has actually. I’m always trying to grow and learn more about myself and life and sometimes you hit these roadblocks in your development for whatever reason and for me it was something I hadn’t dealt with in my life. By writing it and shooting it, I was able to really deal with those things and continue with my development. It was sort of therapeutic in a sense. The film is about this guy who is going through this journey towards self discovery. I think that’s something that we all go through. For me to be able to write that and shoot that, I went through that myself.

Who do you think has inspired you as a writer/filmmaker?

I inspired by those who paved the way for me to be here. I would not be here if it weren’t for people like Spike Lee and John Singleton. The different people who went full steam with this whole the black independent film thing. That kind of stuff inspires me. I think I would be remiss if I did not mention them individually and give them credit for creating this business for us.

As a Muslim american filmmaker writer, do you have any advice for Muslims in the West who are trying to break into this industry?

I just would say to keep yourself intact. They are going to pull you in a lot of ways and a lot of people say a lot of things: “You got to do whatever you got to do to make it.” Well, that’s true in a sense but that’s not true when it comes to compromising yourself and who you are and what you believe in. If what you believe in is real enough, legitimate enough, then you can make it in this business. It’s not going to be easy. This is one of the hardest industries in the world to make it in and that’s primarily because there are absolutely no guarantees and no real timelines of when you are going to make it. If you go to law school, you can pretty much guarantee yourself if you are on track of when you are going to graduate, get your juris doctorate in three years, and you’re going to take the bar on this date and if you don’t pass, you can take it again. But with this, there’s none of that. I want to shoot my movie next year but you might not get the budget for it in a decade so are you still going to be with it? That’s where the legitimacy comes in with what your doing and the faith in what your doing. And if it’s real enough, if you believe it enough, then it’s possible.

You had mentioned law school and I read that you had actually considered law school until you got into a car accident. Do you think your life had been different had you not been in that accident?

I know it would have been. I mean… I don’t know, I can’t really say that actually. I don’t know what would have happened if I had not been in that accident. I do know that the significance of that accident on my life was changed by it. It gave me this attitude and it allowed me to really buy in to the belief of not worrying about the smaller things because you lived through something like that. You start to look as life as a gift and that’s how i look at my life now. A gift. Every day, I’m here, I’m healthy, and doing something I love. Even when I was broke and starving I was still healthy. I have faith, and I have God, that’s the stuff that matters. I might have been hungry at times or might have been broke but I knew it was going to be okay. and I knew that I was doing what I was supposed to do here.

Is there something you want to say regarding Mooz-lum?

I want people to know the position we are with these theaters and how vital it is that people go out and support this movie and that we spread the word so it can cross over with other communities and theaters. If it doesn’t perform, they will take it out of theaters. This week, they’re taking us out of some theaters because it didn’t perform. I know for a fact that these places had people that could potentially be interested in watching this film. It would be great if we can get that kind of support from people.

Click here to visit Qasim Basir’s website. You can also read his articles on Huffington Post here.

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Pakistani American Playhouse Breaks New Ground

by Irfan on February 27, 2011

BY IRFAN RYDHAN for ILLUME MAGAZINE

Original article on Illume Magazine

Imran S. Javaid and Imran W. Sheikh, two young Pakistani-American Muslims, started “Parwaz Playhouse” – the first major Pakistani Theatre Company in the Fall of 2009. ILLUME caught up with them as they prepare for their latest production – an adaption of Eugene O’Neill’s “Beyond the Horizon”, which will begin performing to audiences on Feb. 25, 2011 in New York City

How did you come up with the idea to start a Pakistani-American Theatre company, and how did you come up with the name “Parwaz Playhouse”?

We both were working on the play “The Domestic Crusaders” by Wajahat Ali, when it was running in New York in Sept of 2009. While we were doing the rehearsals, I looked around and realized that we are all enjoying what we are doing and why can’t we keep this going and do more productions that focus on brown people like us. I discussed it with Imran Javaid, who is also a playwright, and he agreed it was a good idea. We also discussed it with Wajahat, who said we should go for it. So while working on the Domestic Crusaders, every night we started planning out how to start a theater company, what type of plays we would do, etc.

In terms of the name, I have always been of fan of Rod Serling’s “Playhouse 90”, so I knew I wanted Playhouse in the name of our theater company. Although we are both Pakistani and wanted to do stories on Pakistan and Pakistani-Americans, we didn’t want to limit ourselves with a name like “Pakistani Playhouse.” My mother suggested the Urdu word “Parwaz” (meaning “a bird’s first flight”), because it was used a lot by Alama Iqbal (famous Pakistani poet) in many of his ghazzals (urdu poetry).

What was the reaction of your family and friends when you started a Theatre Company for Pakistani-Americans?

IWS: There was a mixed reaction, but majority was positive. We received many wishes well in support. Everyone knows that there is a lot of negative images of Pakistanis and Muslims out there, so we feel it is our job to try to get through the negativity and show us as human beings. Theater is the study of the human condition. It’s a visual media and that is a key to be able to show American society who we are. We are giving a voice to our community and people understand that and are supporting us.

Usually there is a negative reaction when someone from our community (Pakistani) goes into a non-traditional field, something outside of medicine, engineering, etc. But if you study most civilizations, you will see that they start off with agriculture and then once they are settled in, they start getting into the arts. When our parents came here to this country, it was an alien landscape for them. They had to sacrifice and basically just work, sleep and take care of the kids. They stayed in traditional and conservative fields just to survive. But now it is up to our generation to go into the arts – acting and also politics and other different fields. We have the luxury to do that now, after our parents sacrificed for us.

Tell us a little about your first production called “Glass”

ISJ: Glass is a 30 minute play I wrote and directed. We performed it at the Nuyorican Poet’s Café in November 2009. It takes place in a newsroom in a country very similar to Pakistan. A bombing happens outside and the play is basically about the role of the newspaper during a time of violence and how an editor and star reporter work together to cover the story. A government minister also visits the newsroom and we see the interaction between government and media.

IWS: The play was also selected for the Downtown Urban Theater Festival in April of 2010 and was one of only 3 performances to sell out to the point where people were turned away during the festival’s two week run.

Tell us about your latest production, “Beyond the Horizon” and how you adapted it for Pakistanis

ISJ: We chose to do an adaption of “Beyond the Horizon” because it is considered to be one of the first major American tragedies and we thought it would be great as our first full length play for the first Pakistani-American Theatre company. The original play was written in the 1910’s about a family of Irish descent that lives on a farm. A farmer has two sons – one who wants to leave the farm and see what’s out in the world and the other who wants to stay on the farm. And they are also both in love with the same girl. It’s a 3 act play that shows different time periods in the family’s life and how things don’t go as planned. It’s a tragedy, and won the Pulitzer in 1920.

Our adaption of the story takes place in 1960’s Pakistan. We set the play in a village near Karachi. It also deals with a family that is struggling with how to deal with some members wanting to leave the country and others wanting to stay – basically it is the story of our parent’s generation and how they left Pakistan, leaving many of their family and friends behind. The love story is still there. We stayed pretty close to O’Neill’s original story, though we did end up cutting out four of the ten characters so we could pare it down to about 90 minutes from 2 hours and 45 minutes.

What are some of your goals with this play and ultimately with your theatre company?

IWS: We wanted to show our parent’s experience with this story. Give a window to the public, both Pakistanis and non-Pakistanis, so people can see who we are. Give a voice to our community. One of our goals is to encourage more Pakistanis to enter the arts.

ISJ: There are a lot of talented people in our community and we want to create a forum to allow all that talent to flourish. There are set designers, costume designers, actors, etc. Art is a great unifier which can bring all these talented people together. We also want to make bridges to other communities.

IWS: But, at the end of the day, we’re out to produce good and entertaining theatre. Our ultimate goal is to have an actual brick and mortar building. But we know that is way down the road. Right now we are honored to put our play on at Theater for the New City in New York. They liked our work and they have supported many famous playwrights and actors over the years, so we are very honored to be able to work there.

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Review: MOOZ-lum

by Bushra on February 14, 2011

by Bushra Burney

In MOOZ-lum, writer/director Qasim “Q” Basir makes his feature film debut with a story about a Muslim-American named Tariq entering college. Tariq sees college as a place to reinvent himself as “T” after living a strict religious household with his father. He pushes him mom and sister away and stays distant from his Muslim roommate to ensure that a few lingering, unpleasant (to put it mildly) memories from a previous life at a madrasa do not surface. Yet with the onset of 9/11, Tariq has to figure out who he is and what he’s willing to stand up for.

MOOZ-lum truly is an amazing film. This movie could have easily been a preachy, heart-warming film about how good Muslims are but instead, Mr. Basir created a film that humanizes Muslims without it becoming an after school special on tolerance. Tariq’s crisis in faith is not an occurrence isolated to Muslims and therefore this isn’t a movie just for Muslims. I encourage everyone, despite which religion one belongs to (or doesn’t belong to), to watch MOOZ-lum because it’s an entertaining movie regardless, with a well told story and interesting characters. Even though there’s nary a car chase scene in sight, you will be on the edge of your seat at some moments in this movie. Don’t roll your eyes at that cliched statement – during one particular tense scene, I noticed that the girl sitting a few seats away from me was quite literally sitting at the edge of her seat, leaning forward, enthralled. It’s been a long time since something like that happened in the movies (maybe during Inception, I’ll grant you that;).

Many people have been clamoring for these narratives the United States, with even Katie Couric suggesting that a Muslim version of “The Cosby Show” may help with the image of Muslims in America. Qasim Basir succeeds in adding to the Muslim-American narrative with MOOZ-lum, a great movie that can be appreciated by anyone.

MOOZ-lum opened in select cities on February 11th. It’s produced by Peace Films and stars Evan Ross, Nia Long, Roger Guenveur Smith, Summer Bishil, and Dorian Missick.

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In a follow up to the award-winning documentary Afghan Star, which followed four finalists to Afghanistan’s answer to American Idol, Director Havana Marking returns with Silencing the Song: An Afghan Fallen Star, airing tonight on HBO2 at 8pm.

Ms. Marking follows up with one of the female finalists in her film, Setara Hussainzada. In her final singing performance moments on the TV show Afghan Star, after Setara found out she didn’t garner enough votes to continue, she danced on the stage with her scarf slipping off her head. Controversy ensued, resulting in many people, including clergy from her province making statements condemning her actions.

The film starts off with Setara’s attempts at becoming a singer and leaving Afghanistan to pursue a music career. However, after finding out that she’s pregnant, she returns back to Kabul to be with her husband. Ms. Marking films Setara as she comes to the grips with the reality that she may not sing for a while as she prepares for the life of a mother while still dealing with the consequences of her actions on stage as shown in Afghan Star.

This follow up documentary has a different feel from Afghan Star but is no less powerful.

Afghan Star was more hopeful – the country was embracing the arts and people finally got a say, even if it was a for a music show and the vote they gave was with a text. It depicted unity as people were supporting finalists who were not necessarily from their region.

Silencing the Song strikes a different chord. Although this documentary is more tragic than its predecessor, the viewer is given the rare opportunity to find out what happened to the person who didn’t win, the one who said they would still make a name for themselves despite the loss. That fact in and of itself makes this documentary significant. I highly recommend watching this documentary if you can.

Silencing the Song: An Afghan Fallen Star airs tonight on HBO2 at 8pm. It is preceded by an airing of Afghan Star, which should be viewed as well as it is an excellent documentary. The DVD for Afghan Star goes on sale on March 30.

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The Burgeoning Arts Scene Among Muslims

by Bushra on December 17, 2010

The New York Times had an article today about Muslim Americans making their mark in the U.S. with art. The article, titled Muslim American Artists Strive to Bridge a Chasm showcases several Muslim Americans here in the Bay Area in California and their use of art, literature, and poetry to help define the Muslim identity.

Thalia Gigerenzer of the New York Times writes:

At a time when Islam has been heavily politicized, many Muslim artists say they hope the arts can expand understanding of their faith among non-Muslims as well as bridge American and Islamic traditions.

“We’re at a point where Islam is really being defined in this country, and it’s going to be through the arts,” said Javed Ali, founder of Illume, a Muslim online news, arts and culture magazine based in Newark that serves as one of the central nodes of the Bay Area Muslim American network.

Read the whole article here.

Links to the people/organizations discussed in the article:
Illume Magazine
Islamic Cultural Center of North America (ICCNC)
Barakah Life
Remarkable Current
Zaytuna College
Domestic Crusaders

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Event: Domestic Crusaders Book Launch

by Bushra on December 4, 2010

Domestic Crusaders, a two-act play play about a Pakistani Muslim-American family has now been published by San Francisco based McSweeney’s. Playwright Wajahat Ali and McSweeney’s are hosting a book launch this Thursday, December 9th at UC Berkeley from 6-9pm.

From the Facebook event page:

The book event will include:

- A performance by hip hop artist/poet Baraka Blue
- A reading by poet and photographer Najva Sol
- A traditional Urdu poem performed by Umair and Emmad Khan
- A panel and Q + A with Ishmael Reed and Wajahat Ali
- A reading from the play
- A book signing
- light refreshments

Check out the event page on UC Berkeley’s website and the Facebook event page for more information.

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