Note: I did the following interview for Illume Magazine. It’ll be posted there on Sunday.
I recently interviewed writer/director Qasim “Q” Basir about his movie Mooz-lum, a film about a Muslim-American trying to come to terms with himself and his faith. Mooz-lum has had a limited release in the United States has recieved generally positive reviews.
First of all, congratulations on the movie. Were you expecting the positive response that the movie has been receiving?
I didn’t really know what to expect. Honestly, I [didn't have] too many expectations because things are going to happen like they are supposed to so I really didn’t know what to expect. I hoped to have a positive reaction.
I noticed that everyone in the theater with me were really into the movie. Hopefully it will do well!
Yeah, I hope so. We’re really trying to see at this point if it it’s going to crossover into different audiences. That’s what we’re hoping. We made the film for two particular reasons. One was to create a voice, a more accurate voice for Muslims in America and another was to create some enlightenment for people who do not know much the story. I always hope that it crosses over.
Have you tried to market to an international audience? What kind of response are you hoping to get from them? Do you think they can relate to Mooz-lum like Western Muslims have?
Based on what we’ve seen, they might relate to it in a different way. They definitely relate to it on a very human level. We were at a film festival in Egypt and I did just come back from Toronto and we had a great response. There were certain parts of the film where people reacted to here that they did not react to over there. In general, people are really able to relate the humanity of the movie. It’s more so about the relationships, the times of happiness and sadness that people are able to connect to.
Has making this movie changed you at all?
Yes, it has actually. I’m always trying to grow and learn more about myself and life and sometimes you hit these roadblocks in your development for whatever reason and for me it was something I hadn’t dealt with in my life. By writing it and shooting it, I was able to really deal with those things and continue with my development. It was sort of therapeutic in a sense. The film is about this guy who is going through this journey towards self discovery. I think that’s something that we all go through. For me to be able to write that and shoot that, I went through that myself.
Who do you think has inspired you as a writer/filmmaker?
I inspired by those who paved the way for me to be here. I would not be here if it weren’t for people like Spike Lee and John Singleton. The different people who went full steam with this whole the black independent film thing. That kind of stuff inspires me. I think I would be remiss if I did not mention them individually and give them credit for creating this business for us.
As a Muslim american filmmaker writer, do you have any advice for Muslims in the West who are trying to break into this industry?
I just would say to keep yourself intact. They are going to pull you in a lot of ways and a lot of people say a lot of things: “You got to do whatever you got to do to make it.” Well, that’s true in a sense but that’s not true when it comes to compromising yourself and who you are and what you believe in. If what you believe in is real enough, legitimate enough, then you can make it in this business. It’s not going to be easy. This is one of the hardest industries in the world to make it in and that’s primarily because there are absolutely no guarantees and no real timelines of when you are going to make it. If you go to law school, you can pretty much guarantee yourself if you are on track of when you are going to graduate, get your juris doctorate in three years, and you’re going to take the bar on this date and if you don’t pass, you can take it again. But with this, there’s none of that. I want to shoot my movie next year but you might not get the budget for it in a decade so are you still going to be with it? That’s where the legitimacy comes in with what your doing and the faith in what your doing. And if it’s real enough, if you believe it enough, then it’s possible.
You had mentioned law school and I read that you had actually considered law school until you got into a car accident. Do you think your life had been different had you not been in that accident?
I know it would have been. I mean… I don’t know, I can’t really say that actually. I don’t know what would have happened if I had not been in that accident. I do know that the significance of that accident on my life was changed by it. It gave me this attitude and it allowed me to really buy in to the belief of not worrying about the smaller things because you lived through something like that. You start to look as life as a gift and that’s how i look at my life now. A gift. Every day, I’m here, I’m healthy, and doing something I love. Even when I was broke and starving I was still healthy. I have faith, and I have God, that’s the stuff that matters. I might have been hungry at times or might have been broke but I knew it was going to be okay. and I knew that I was doing what I was supposed to do here.
Is there something you want to say regarding Mooz-lum?
I want people to know the position we are with these theaters and how vital it is that people go out and support this movie and that we spread the word so it can cross over with other communities and theaters. If it doesn’t perform, they will take it out of theaters. This week, they’re taking us out of some theaters because it didn’t perform. I know for a fact that these places had people that could potentially be interested in watching this film. It would be great if we can get that kind of support from people.
Click here to visit Qasim Basir’s website. You can also read his articles on Huffington Post here.
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